A Brief Chronology
Manitoba Theatre School is founded and run by the Manitoba Theatre Centre.
Manitoba Theatre School is closed and the Manitoba Theatre Workshop is founded by concerned students, teachers and community members, spearheaded by Colin Jackson and Charles Huband.
Manitoba Theatre Workshop officially opens its doors in the old Grain Exchange Building, at 160 Princess Street, renovated by volunteers. The objectives of Manitoba Theatre Workshop expands on those of the Manitoba Theatre School to include people of all ages and levels of sophistication.
1973 - 1981
Manitoba Theatre Workshop supports and develops creative expression in the community though its school, its outreach program and its theatre. It helps and encourages local playwrights and performers, and moves continuously towards becoming a theatre resource centre.
The name changed to Prairie Theatre Exchange to reflect the increased focus on professional productions and the establishment of a regular theatre season, under the Artistic Direction of Gordon McCall.
Prairie Theatre Exchange furthers its objectives in all areas and grows at a remarkable pace. With growth in all areas, need for expansion and re-housing emerges.
Kim McCaw joins PTE as the new Artistic Director and Prairie Theatre Exchange introduced subscriptions for its three-play adult season. 200 subscriptions sold.
Subscriptions top 3500.
Prairie Theatre Exchange outgrows its facilities. Announces that it will build a new home in the heart of downtown in Portage Place.
Construction begins on the Portage Place site.
1989, October 12
The first public performance in the new Portage Place site takes place – The Village of Idiots by John Lazarus. Subscriptions exceed 6,000. PTE re-dedicates itself to becoming the finest possible theatre by and for the Prairie region.
Michael Springate takes over the helm as Artistic Director.
Allen MacInnis replaces Michael Springate.
Prairie Theatre Exchange performs overseas for the first time, after receiving an invitation to bring take fareWel, the award-winning play by local First Nations playwright Ian Ross, to the prestigious Edinburgh Fringe Festival. The all-aboriginal cast was received warmly by the largest theatre festival in the world.
PTE announces the appointment of a new Artistic Director for the 2003-04 season, Robert Metcalfe, and kicks off its 30th anniversary season.
The inaugural Carol Shields Festival of New Works is launched, featuring staged readings of 21 new plays by 19 Canadian playwrights, most of whom are local.
The Playwrights Unit is established with seven local playwrights, both experienced and emerging, who will use PTE as a base and resource while they work on current projects. As of the 2017-18 season, the current roster of new and established playwrights is comprised of Joseph Aragon, Sharon Bajer, Rick Chafe, Ginny Collins, Tricia Cooper, James Durham, Debbie Patterson, Ellen Peterson, Marc Prescott and Ian Ross. As of March, 2018, PTE has given professional productions to seven new plays that were developed within the Playwrights’ Unit (Sharon Bajer, Burnin’ Love – March, 2011; Rick Chafe, The Secret Mask – November, 2011; Ellen Peterson, The Brink, October 2012; Tricia Cooper, Social Studies, November 2013; Rick Chafe, Marriage: A Demolition in Two Acts, March 2016; Ginny Collins, The Flats, January 2017; Joseph Aragon, How the Heavens Go, March 2018). Other new scripts developed by the members of the Playwrights Unit during the past few years have been produced across the country, including a number of Short Shots – ten minute plays specially commissioned by PTE for the Carol Shields Festival.
On November 8, 2007, PTE marks its 35th year with a special fundraising dinner honouring the extraordinary contributions of The Honourable Mr. Charles R. Huband. Mr. Huband, a Life Member of the PTE Board of Directors, was one of the driving forces in the creation of PTE.
Winnipeg playwright Bruce McManus premieres his sixth new play for PTE, All Restaurant Fires are Arson, which is the 132nd new play since PTE’s inception.
On January 13, 2011 PTE launches its two-phase Capital Campaign with a goal of $2.2 million. On November 8, 2012 PTE announces that it has reached its Capital Campaign goal of $2.5 million. With the completion of Phase 1 of the capital project in the summer of 2011, PTE is able to renovate the lobby, construct a new lounge and upgrade washrooms. The main theatre also receives new carpeting, reupholstered seats and fresh paint. The second phase, over the summer of 2012, sees the completion of a new Board Room, updated offices, the completion of a new film studio in the “Annex” portion of the facility, complete with editing suite, and a new space for the Playwrights Unit that includes a library of Canadian plays, workstations and meeting area.
At the conclusion of the 2011/12 season, PTE's total number of productions stands at 310 over its history. (139 of these were new plays.)
The official name of the education program at PTE is changed to PTE Theatre and Film School, to reflect an increasing roster of film and TV acting classes.
PTE opens its 40th anniversary season with The Brink, by Ellen Peterson of the PTE Playwrights Unit -- the 140th world premiere in the company’s history.
2012, October 29
Robert Metcalfe is presented with the Queen Elizabeth II Diamond Jubilee Medal by the Honourable Joyce Bateman, M.P. for Winnipeg South Centre in recognition of “his outreach to the community with made-in-Manitoba plays and his valuable contributions to Winnipeg’s theatre and performing arts community, particularly as Artistic Director of PTE.”
The 10th annual Carol Shields Festival of New Works continues to bring together not only theatre companies, but dance companies, filmmakers, visual artists, musicians and singer-songwriters every year to celebrate the act of creating new work.
Robert Metcalfe is honoured with the Bra D'Or (Golden Bra) award, given annually by the Playwrights Guild of Canada’s Women’s Caucus. “Robert Metcalfe is being recognized for his support of female playwrights. He has produced 15 plays by women playwrights in the last 6 years – not because they were written by women, but because he saw them as good plays that should be brought to audiences,” says Robin Sokoloski, Executive Director of Playwrights Guild of Canada.
2016 - January
General Manager Cherry Karpyshin retires after 50 years in theatre, 34 at Prairie Theatre Exchange and 23 as the General Manager. Tracey Loewen takes on the role of General Manager, after 11 years on staff as PTE's Accountant.
2017 - January
PTE partnered with Théâtre Cercle Molière to present The Flats, commissioned by the two theatres from Ginny Collins, a member of the PTE Playwrights Unit. With a bilingual cast, directed by Bob Metcalfe, The Flats ran in English at PTE from January 25 - February 12, 2017, and then in French at Théâtre Cercle Molière from March 2-18.